Twenty-five years before Silent Spring, Rachel Carson published her first essay in The Atlantic on the wonders of ocean life. Titled “Undersea,” the piece showcased Carson’s “commitment to making the reader feel something,” reports Anelise Chen in the same magazine 85 years later.
Key Opportunities for Governance in the International Guidelines on Natural and Nature-Based Features for Flood Risk Management
The International Guidelines on Natural and Nature-Based Features for Flood Risk Management, published by the U.S. Army Corps of Engineers, NOAA, the Environment Agency of the United Kingdom, Rijkawaterstaat, and the World Bank in September 2021, was celebrated with a virtual launch party underlining the exciting opportunity for progress.
On October 2, approximately 25,000 gallons of oil spilled into the Pacific Ocean from a pipeline off the shore of Huntington Beach in Orange County, California. While the full environmental impact of the spill is still under investigation, it is clear that the oil spill threatens the money, time, and effort that have gone into rehabilitating and maintaining nearby wetlands. Dead fish and birds were seen washing up on shore. Oil now coats the rocky beach.
Industrial fisheries imperil sharks and rays. The populations of most species of sharks and rays are on the decline, and many populations are down to just 10 to 30 percent of their levels just a few decades ago. Although international agreements are in place to manage fisheries, restrict the trade of endangered species, and conserve migratory shark and ray populations, they have not been sufficiently effective in stopping the decline of many of these species.
Effectively addressing the ever-evolving challenges for coastal communities is a daunting task, one that requires the coordinated effort of government, nongovernmental organizations, and corporations. In a time of limited resources and increased requirements for cost-sharing to obtain government funding for local projects, the support of all stakeholders is required if we are to effectively address community and environmental needs.
Paul McElroy saw potential for restoration in areas often overlooked and considered blighted by most. From the banks of the Woonasquatucket River to an abandoned landfill in Narragansett Bay, he saw what could be.
I was introduced to mangroves early in my childhood during family trips to Bear Cut in Key Biscayne, Florida—the same plants that grew in my family’s hometown on the northern coast of Cuba. In 2003, I first used mangrove imagery in my artwork as a metaphor for the immigrant. I imagined the mangrove propagules floating along the water and setting root on a sandbar. Little by little they would grow alongside each other, capture sediment, create land, and build new habitats. Like immigrants in a community who come together to support one another, the roots of each mangrove tree come together to create a formidable structure that protects against the dangers of storm surge.